"Maximum Commune... utilises the cultural model of the 'pavilion' juxtaposed with tropes of modernist architecture, examples of hand-built alternative Zome housing originating from Southern California in the 1960s and collectives such as Drop City. Within these structures, Guy Benfield performs a series of actions, 'droppings' or situational episodes that re-animate tropes that were once declared obsolete, such as ritual, live action painting in the genre of george mathieu, the 'Art informal' movement in France, and the Japanese actionist painting movement - Gutai group. In these performance scenarios Benfield investigates the West Coast Funk Ceramic movement of the late sixties, pottery as an expressionist dialogue and the bourgeois bohemian lifestyle he experienced while growing up insuburban Sydney."
Sunday, July 22, 2007
Guy Benfield: MAXIMUM COMMUNE
Maximum Commune (Ugly Business... on the basis of disbelief.) Talking with Australian New York based artist Guy Benfield, about his performance/installation work Maximum Commune, part of the Aftermath: Performance Installation series curated by Blair French at Sydney's ART SPACE gallery, right next to the harbour. With the USS Kitty Hawk moored across the street, Guy walked and talked us through his unique work and world.